Aguardamos que você nos envie por e-mail:
1. as letras originais;
2. as letras traduzidas e
3. as cifras
da(s) música(s) que você trabalhou
em sala de aula.
O
nosso e-mail é: thais.professoradeingles@gmail.com
As músicas que serão trabalhadas
foram listadas abaixo.
Let Freedom Sing
Track Listing
Disc 1
Title
|
Performer
|
Time
|
||||
1
|
2:45
|
|||||
2
|
3:13
|
|||||
3
|
2:41
|
|||||
4
|
3:01
|
|||||
5
|
2:38
|
|||||
6
|
2:20
|
|||||
7
|
4:55
|
|||||
8
|
3:20
|
|||||
9
|
4:39
|
|||||
10
|
2:53
|
|||||
11
|
2:52
|
|||||
12
|
2:58
|
|||||
13
|
3:21
|
|||||
14
|
2:53
|
|||||
15
|
4:53
|
|||||
16
|
2:48
|
|||||
17
|
2:46
|
|||||
18
|
2:49
|
|||||
19
|
3:15
|
|||||
20
|
3:20
|
|||||
21
|
4:11
|
Disc 2
Title
|
Performer
|
Time
|
||||
1
|
3:28
|
|||||
2
|
2:40
|
|||||
3
|
2:09
|
|||||
4
|
2:51
|
|||||
5
|
2:26
|
|||||
6
|
2:51
|
|||||
7
|
3:19
|
|||||
8
|
3:03
|
|||||
9
|
3:40
|
|||||
10
|
3:01
|
|||||
11
|
3:02
|
|||||
12
|
2:26
|
|||||
13
|
3:43
|
|||||
14
|
3:13
|
|||||
15
|
3:07
|
|||||
16
|
5:59
|
|||||
17
|
3:57
|
|||||
18
|
3:01
|
|||||
19
|
3:30
|
|||||
20
|
6:05
|
|||||
21
|
3:13
|
Disc 3
Title
|
Performer
|
Time
|
||||
1
|
3:06
|
|||||
2
|
3:53
|
|||||
3
|
3:16
|
|||||
4
|
5:28
|
|||||
5
|
3:41
|
|||||
6
|
3:16
|
|||||
7
|
3:21
|
|||||
8
|
4:12
|
|||||
9
|
3:39
|
|||||
10
|
3:32
|
|||||
11
|
4:28
|
|||||
12
|
3:52
|
|||||
13
|
5:31
|
|||||
14
|
3:45
|
|||||
15
|
4:57
|
|||||
16
|
3:31
|
Let Freedom Sing - Review, by John Bush
Much of the power of the civil rights movement came
with its speeches, but the movement lived just as actively through music.
Whether it was blues, folk, gospel, jazz, or R&B, and whether the artist
was part of the cause or simply feeling the same yearnings, the music of the
civil rights movement provided focus, unity, strength, and power.
Time Life's
three-disc box set, Let Freedom Sing! Music of the Civil Rights Movement, not
only appeared at an auspicious moment in civil rights history -- early 2009,
when the United States inaugurated its first black president -- but it easily
ranks as the most thorough look at the music that came to be identified with
civil rights. Virtually every single anthem is here, and most of them are
performed by the artists who made them popular and powerful, with no regard for
label restrictions. And far from focusing on a moment in time -- such as the
early '60s, when the movement was most fervent -- the box set makes a great
case for spanning decades, whether particular songs occurred in the pre-history
of the movement or dated from a later time, when equality was being celebrated
(or still not being felt).
Arranged in chronological fashion (roughly), the set
is bookended by a version of "Go Down Moses" from 1941 and a 2008
recording of "Free at Last" by the Blind Boys of Alabama. Between
those two songs comes a parade of momentous recordings: "We Shall
Overcome," "Blowin' in the Wind," "I Shall Not Be
Moved," "A Change Is Gonna Come," "If I Had a Hammer,"
"People Get Ready," "Is It Because I'm Black?,"
"Stand!," "Respect," "Why (Am I Treated So
Bad)?," "Strange Fruit," "I Wish I Knew (How It Would Feel
to Be Free)," "Mississippi Goddam," "Say It Loud -- I'm
Black and I'm Proud," "Yes, We Can," and "Inner City Blues
(Make Me Wanna Holler)." (One small caveat: it's difficult to call a civil
rights compilation definitive when it fails to include Sam Cooke, although his
landmark song, "A Change Is Gonna Come," is heard in one of its best
versions, Otis Redding's.) The set moves seamlessly from gospel and blues to
later voices such as soul, funk, and hip-hop (even if rap only gets two songs),
and although the vast majority of these tracks are familiar, there are many
intriguing choices, such as the work of radio DJs and obscure acts. The
compilers (Colin Escott, Bas Hartong, Mike Jason) must be saluted for
assembling a priceless collection of music.
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